The Merchant of Venice - Acts I and II

Shakespe be sets up the genre and thematic concerns in a very stiff manner in the prototypic dickens acts of the merchandiser of Venice, consideration the foundations of the hoyden yet facilitate leaving a jackpot up for explanation. From the first both acts, there is still around relative ambiguity meet genre. A lot of license supports the commonly accepted opinion that the play is a Shakespearean comedy, how invariably there are definitely some(prenominal) tragical aspects within the first two acts which would obviously make Merchant of Venice a tragedy. The general Elizabethan definition of a Shakespearean comedy is a play that ends happily, usually involving a marriage. For set down reasons, from Acts I and II we still dont retire what the ending will be! til now, there are several(prenominal) indications of an eventual marriage, and Shakespeare sets up a marriage amidst Portia and Bassanio. He does this in the second look of the play in a conversation betw een Nerissa and Portia at Belmont. They were discussing possible suitors for Portia when Nerissa said: a Venetian, a scholar and a soldier, that came hither in familiarity of the Marquis of Montferrat? Portia then replied: Yes, yes, it was Bassanio! as I think so he was called. In solution Nerissa said: True, madam he of all the men that ever my foolish eyes looked upon was the opera hat deserving a somewhat lady. Previous to these comments, several other digits had been mentioned including that of The Prince of Morocco. As this name was suggested, it was soon dismissed by Portia as she said, If he slang the condition of a reverence and the complexion of a devil, I had rather he should forgive me than wive me. In honest terms, even if Morocco had the heart of a saint, he would still non have a discount chance of marriage if she had the choice. However as I commented on earlier, there are many references which are typical of a tragedy. A great ideal of this is containe d in Act I Scene III in a debate between Bassanio, Antonio an...